The Trinity Series

 

Fundamentally the Trinity Series are a new set of musical instruments,
designed to be a pleasure to the drummer's ears and the ears of an audience.

Features: Unique bell sizing, a flatter cymbal shape, specific lighter weights,
traditional lathing mixed with over hammering, as well as satin brilliant finish,
and subtle branding.
Trinity cymbals are a curated set of special cymbals each uniquely designed
to be both: individually musical, elegant, sweet, shimmering, individually
voiced; as well as a 'swellable' set of cymbals that bring a chordal presence to
the music of your choice.
Specially designed by Tony Moore in collaboration with Red Cymbals for
modern worship drummers, the Trinity Series are also a unique solution for
houses of worship, jazz drummers, and even smaller venues or acoustically
challenged venues struggling with the usual complications that louder cymbals
introduce into a room and audience, but who still want their cymbals to feel
like, play and sound like real cymbals made from B20 Bronze not cheap stainless steel.
Trinity cymbals are a premium hand-crafted jazz-weighted Turkish made
cymbal. The overarching intention of the design is to take away the volume,
projection, peaking or distortion of loud cymbals in smaller rooms, and instead
offer a new sound that promotes a musician's musicality and inspires what
they can bring to their music. The Trinity series have been created
intentionally to NOT be noisy, peaking, explosive or offensively aggressive,
nor harsh, washed out, or monotoned cymbals producing white-noised
sounds.

Loved by worship drummers, houses of worship, jazz drummers, ground
breakers, and those wanting quality cymbal tones but at lower volumes.

Trinity Series cymbals will give you the tools you need to take your sound to
the next level.

Here are some accumulated comments from drummers upon playing the Trinity Series:
"Astonishing!"
"The Trinity series are a game-changer"
"I want them all."
"Woah! even the hats feel and sound like rain."
"I seriously thought that I was playing 16" hats, and 22" and 24" crashes."
"These feel like you're playing much larger cymbals, and somehow they just
make you sound and play better."
"It's going to be really hard to go back to the other cymbals for now after
hearing the Trinity series."
"The reduction in volume, and quality of sound is exceptional."
"I'm speechless..."

FOH sound engineers are saying:
"I can't believe what I'm hearing and seeing."
"What trickery is this? Even without the drummer's cage, they are quieter and
just sound beautiful."
"The Trinity series halve the cymbal bleed in the drum mics and just make
everything sound incredible."
"Finally, a cymbal that keeps out of our vocal mics."
"We have never been able to control cymbals in this room. These cymbal
faders have never been raised on this desk until now. We LOVE the Trinity
series."
"Every church is going to want these when they hear them."
"Take my money. Sign us up!"

 

Recommended starting packs:
A: VENUES 150 people
Light Hi-Hats (*950g Top / 1250g Bottom)
19" Crash - (*1400g)
20" Crash - (*1800g)
Add-on: 17" Accent Crash - (*1100g)

B: VENUES w/150-300 people
Light Hi-Hats (*950g Top / 1250g Bottom)
19" Crash - (*1400g)
21" Multi (Crash/ride) - (*2300g)
Add-on: 20" Crash - (*1800g)

C: VENUES 300+ people
o Medium Hi-Hats (*1000g Top / 1300g Bottom)
o 20" Crash - (*1800g)
o 22" Multi [Crash/ride] - (*2500g)
o Add-on 19" Crash - (*1400g)

*Weights described are approx. goal weights.
Reach out if you have any questions or need help putting a pack
together. Email: info@redcymbals.com

Note: Trinity Series cymbals are professional jazz weighted cymbals, designed
for use in lower volume settings by trained musicians and therefore should not
be used where louder cymbal volume is required, and/or where acoustic
projection from your cymbals is your main goal; or where the musicians are
not properly trained in how to strike and look after premium jazz-weight
cymbals.
In-Ear Monitors: Trinity series cymbals are an acoustic instrument, designed
for acoustic environments. As such if you use in-ear monitoring, then you will
also need overhead or cymbal microphones in your ear monitor mix to be able
to monitor your own volume and so-to-not accidentally overplay Trinity
cymbals, which may harm or damage the cymbals.
Remember, heavy drumsticks, heavy-hitting, abuse and/or misuse of cymbals
will lead to cracks from the edge of a cymbal and/or cracking around the base
of the bell, which immediately voids your warranty. For more information, refer
to our Warranty Policy.

Coming soon: Keep an eye out for our exclusive Trinity series member resource videos designed as educational tools to help you protect your Trinity
series cymbal investment and get the best from the drummers who play them.
These complementary resources (designed for beginner to pro) present
condensed professional techniques, tips and tricks to help guide and position
Trinity series cymbals correctly for professional use. As well as feature
several discussions and advice on kit selection and set up; quality hand
technique; drum head selection; drum tuning; microphone selection and
placement; in-ear monitoring, setup and integration; getting a quality monitor
mix; and other common issues and problem solving. These exclusive
resources will assist drummers to be informed, think, and play more musically
and with excellence.